International Quilt Festival Houston 2016 is about to begin. The workshops started yesterday and I braved getting up at 5:30 so I could get to my first workshop on time.
Glennis Dolce didn’t disappoint, as usual. We were supplied with 3 packets of folded silk (along with instructions on how to fold our own fabtic). We were also supplied with some dissolving thread and instructed to draw and then sew our designs on each packet of silk. Once that was done, we were given some silk dye (which doesn’t require heat setting) and a couple of pipettes. Thus armed, we began to paint our designs. After the painting was done, we dissolved our stitching and opened up our “masterpieces”.
I am very fond of my “firstborn”. Glynnis only let us use 2 colors for our first piece.
My second piece was a bit overwhelming to me. I had intended for small sections of black but the black dye has a mind of its own.
My very favorite was my final sample. I like the colors as well as the resulting shape.
Next workshop is in a couple of days. It is with the very wonderful and talented Ginny Eckley. Looking forward to it (even if its another 5:30 morning!)
I was gathering together the items I had selected to be in this year’s sale. When it was time for me to pick out a few of my eco print scarves, I came across one that I kept going back to look at. Many eco printers strive to have perfect prints of each piece of foliage they place on their fabric. Their results are very stunning. I, however, like to have a few identifiable leaves in my work but enjoy the shapes and subtle colors of the other botanicals (not all will produce color or distinct patterns) that are also used on the same piece of fabric. To me, this gives the piece a great deal of depth.
This shows the outline of pine needles to the left and the leaf ribs on the bottom.
More leaf ribs and subtle color.
Leaf shapes everywhere especially a magnificent oak.
A sweet gum drifting in the background.
The more I looked at this scarf the more I knew it was not going to go to the sale. It has moved to my closet where I would be able to select it to wear whenever the muses strike.
P.S. The CHH Annual Sale is November 17 – 19 at the Guild House. Check http://www.weavehouston.org for more details.
The leaves of the hamelia (hummingbird bush) have always been a reliable source of green when printing.
This piece was printed with only the leaves of the hamelia and a few annatto seeds.
Add some eucalyptus and a bit of tannin (with a small assist from a bit of iron) and the hamelia still peaks out with a bit of greeen.
Add a bit more tannin (with an iron assist) and the green is still there.
How can anyone help not love this plant(its also a favorite of bees and hummingbirds).
P.S. Always use a bit of copper when printing hamelia. It helps bring out the greens.
As soon as I saw this was available, I treated myself. It was all I expected it to be. There were no ‘little projects’ to be found. There are just some interesting ideas to get me thinking about how I could expand my eco printing and natural dyeing projects.
In the book, Alice includes ideas about collecting found objects. I know there are a lot of books containing that subject but it is good to be reminded periodically. She talks about collecting ‘colors’, how to make natural ink, how to select items for rust printing, weaving and twining with natural materials, combining techniques and more. In addition to all that, it is a pleasure to look at. It is one of the books I don’t store on the bookshelf but keep out to review.
I recommend this book for anyone interested in using natural materials and found items in their textile work.