The last of my workshops at the Quilt Festival was Advanced Ice Dyeing with Cindy Lohbeck. In the basics workshop we were able to work with fat quarters. This time we were given yard lengths to dye. That’s a lot of fabric to manipulate. At the end of the workshop we were given the option to substitute a few fat quarters for the last yard of fabric and I took her up on that one (my fingers were getting tired!).
Once again, all the fabric was batched together and only 3 colors were used for dyeing. The colors I chose for this project were chartreuse, teal and boysenberry. The first 4 samples are full yard pieces. The last is a fat quarter.
As you can see, more practice is needed. This should not be a problem as the process is addictive.
The next Quilt Festival workshop was Ice Dyeing Basics with Cindy Lohbeck. It was a half day workshop (afternoon) so I decided to go in early and do what little shopping I had planned in the morning.
I had always wanted to try ice dyeing and had seen several tutorials on You Tube, etc. but decided that I wanted a hands on experience to get me going. Well, I was in for a big surprise. Cindy doesn’t approach ice dyeing like any of the tutorials I had seen. I do like her technique much better and it makes more sense than the other approaches. My first attempts aren’t bad but I do have a bit of practicing to do before I’m really pleased with my results. Cindy had us working up our samples on fat quarters. It’s a good size to play with. Some of my samples are below.
All the samples were batched together and only three colors were used for the batch. The colors were clear yellow, red and blue. The next workshop was Advanced Ice Dyeing. Will post soon.
Hard to believe it has been 3 months since my last post. We survived ‘Harvey’ pretty much unscathed. Lots of anxious moments but no real damage. Unfortunately, many of our fellow Houstonians were not so lucky. Spent lots of time getting ready for the annual Houston Handweavers sale. Made more shibori indigo napkins and small lavendar sachets. Also prepared some wonderful cards and bookmarks using my eco print papers. added some wonderful silk eco print scarves to the inventory.
But now the International Quilt Festival has come and gone and this year I took 3 workshops (not sure if I’m prepared to do that again, driving back and forth each day during the worst traffic times takes its toll!).
Monday I always seem to start with a workshop by Glennis Dolce(Shibori Girl). This year we began with a couple of the basic stitches.
I sampled a stitch that I had not used in my work before (the overhand stitch – just above the shell). I like the feathery look. Will try to incorporate in a future project.
There were 2 very interesting things Glennis incorporated into the workshop this year. One was providing us with some very different fabrics to experiment with. The first photo below shows a silk organza which I used for the arashi technique. Due to the nature of organza I didn’t expect it to do well in a vat situation. It surprised me. Because of its stiffness the fabric scrunched very definitively and created extreme white spaces but it also dyed deeply. The second photo below is scrim. Once again I was surprised. Due to the extreme openness of the fabric I would have expected a much lighter effect. These 2 fabrics will be on my to do list for future experimentation.
The next thing I tried was a vintage linen napkin. The kind with the designs all over them. This one had some flowers in the border so I added a small butterfly. After dipping in the vat, I realized this napkin needed no enhancement. Just dyeing it in the indigo gave it new life. The fabric was amazing; it had been washed so many times it felt like heavy silk.
The second very interesting thing in the workshop was Glennis’s collection of vintage Japanese stencils. I played with several of those and decided that rather than the way I was transferring my patterns to fabric using a stencil would be more efficient and cleaner. I transferred a few designs onto some sample fabric to stitch and also made my own stencil. Have stencil making items on order and look forward to receiving them.
That pretty much wraps up my first workshop (and, of course, I look forward to next year with Glennis). Will be writing about the next two soon.
Finally, all the dyeing (for the items I had) is done for the ‘big project’. The picture shows them still wet and they took over 2 days to dry. Fortunately, I had a nice large plastic cover to protect them from my feathery visitors. Now they just need to be untied and let rest for several days before their first washing. I’ll try to remember to take a few pictures to share the results. They can then join the others, already done, for their final wash and pressing (groan – I know there are those who think ironing is a great way to get instant gratification but I’m not one of them). Anyway, I now look forward to working on my personal projects; shibori and indigo dyeing is included.
Haven’t had much time to do any eco printing recently but still had the need to do ‘something’. While reorganizing my studio spaces after the new flooring, I came across some botanicals I had stashed for a play day. I had a lot of acorns and a pile of avocado pits (I had to take out of my freezer to make room for food. Can you imagine!). I also had a stash of pomegranate rinds.
I had purchased some linen and used aluminum acetate as a mordant. The first things I ‘cooked up’ were the pomegranate rinds. They were covered with water and simmered for an hour or so. I got a nice brown solution. I ripped off a piece of the linen and simmered it in half of my pomegranate solution. After an hour of simmering I let the fabric sit in the pot for a day. After drying the fabric sat for a few days before washing.
I read that tumeric will become a bit more lightfast when combined with pomegranate. So I added some tumeric to the rest of my pomegranate solution. The fabric simmered for an hour, sat in the solution for a day, was dried and allowed to sit for a few days before washing. To test the lightfastness, I have torn off a strip of fabric from the sample. Half of the strip is laying on a north facing windowsill. The other half of the strip is in a dark drawer. Will check them in about 3 months.
To the left of the tumeric fabric, in the above photo, is the fabric I dyed with acorns. I had 2 gallon sized zipper bags full. I put all of them in a pot, covered them with water and simmered until I had a beautiful dark brown solution. Using a third of the solution I simmered a piece of linen for about an hour. I let it dry and sit for a couple of days before I washed it. I don’t think the photo shows what a wonderful golden brown the fabric became.
In the photo above, to the left of the acorn fabric, is the fabric dyed with avocado pits. I had about 50 avocado pits which had started to develop a nice mold. I covered these with water and simmered them for about an hour or two. I used about one third of the resulting solution to dye this piece of fabric. This fabric was also allowed to rest after drying for a couple of days before washing.
In all the examples, the plant material was processed in a stainless steel pot. The solution was obtained after straining off the plant material. All the solutions used were diluted with water to allow for the fabric to move freely in the dye bath. The fabric was also processed in a stainless steel pot.
Avocado Pits-Acorn-Tumeric w/Pomegranate
I think all the colors came out beautifully. I’m ready to do more.
Started testing various types of napkins as well as different stitches for the CHT (Contemporary Handweavers of Texas) conference dinner table napkins. The conference is not until next May but there is lots to do. The more we can get done ahead of time the better.
Tried to use some simple patterns as I didn’t know how much help there would be and what shibori experience there was in the group.
Think we’ll also be doing other natural dyes not just just indigo. That should make for some very colorful table settings.
We’re still checking out napkin sources. I used Dharma for my test. The ones shown here are actually sold as men’s handkerchiefs but are very substantial and easy to work with. I also tried using the Dharma items sold as napkins but they were so thick I had a hard time stitching and even clamping was a problem.
Hope decisions will be made soon. There are a lot of napkins to make.
Have gotten my pillows made for the annual Handweaver’s Sale. The pillow above had little space for embroidery but I did get a bit on it. Didn’t think about the addition of stitching when I sewed the strips together. Was more concerned about getting the most interesting strips maximum exposure.
This pillow had a bit more ‘in front’ space for a bit of embroidery.
The embroidery on this pillow is a bit more subtle. This was the only pillow with shibori designs on both the front and back so embellishment was kept to a minimum.
This is the patchwork pillow and despite all the patterning I decided to add a lot of stitching in a lovely dark orange. This pillow is not going to the sale and is very happily sitting on my couch.
I’m now adding more shibori stitched fabric to an increasingly large pile to get ready for another indigo dye session. Stay tuned for those results.
Also trying to get a little eco printing done. The results so far have been less than spectacular. Think I’ll just concentrate on the indigo for the moment and when that is off my mind I’ll focus on some eco printing.