IQF and Advanced Ice Dyeing

The last of my workshops at the Quilt Festival was Advanced Ice Dyeing with Cindy Lohbeck. In the basics workshop we were able to work with fat quarters. This time we were given yard lengths to dye. That’s a lot of fabric to manipulate. At the end of the workshop we were given the option to substitute a few fat quarters for the last yard of fabric and I took her up on that one (my fingers were getting tired!).

Once again, all the fabric was batched together and only 3 colors were used for dyeing. The colors I chose for this project were chartreuse, teal and boysenberry. The first 4 samples are full yard pieces. The last is a fat quarter.

Lohbeck Adv 1

Lohbeck Adv 2

Lohbeck Adv 3

Lohbeck Adv 4

Lohbeck Adv 5

As you can see, more practice is needed. This should not be a problem as the process is addictive.

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IQF and Ice Dyeing Basics

The next Quilt Festival workshop was Ice Dyeing Basics with Cindy Lohbeck. It was a half day workshop (afternoon) so I decided to go in early and do what little shopping I had planned in the morning.

I had always wanted to try ice dyeing and had seen several tutorials on You Tube, etc. but decided that I wanted a hands on experience to get me going. Well, I was in for a big surprise. Cindy doesn’t approach ice dyeing like any of the tutorials I had seen. I do like her technique much better and it makes more sense than the other approaches. My first attempts aren’t bad but I do have a bit of practicing to do before I’m really pleased with my results. Cindy had us working up our samples on fat quarters. It’s a good size to play with. Some of my samples are below.

Lohbeck Basics 1

Lohbeck Basics 6

Lohbeck Basics 3

Lohbeck Basics 5

Lohbeck basics 7

Lohbeck Basics 8

All the samples were batched together and only three colors were used for the batch. The colors were clear yellow, red and blue. The next workshop was Advanced Ice Dyeing. Will post soon.

IQF and Indigo

Hard to believe it has been 3 months since my last post. We survived ‘Harvey’ pretty much unscathed. Lots of anxious moments but no real damage. Unfortunately, many of our fellow Houstonians were not so lucky. Spent lots of time getting ready for the annual Houston Handweavers sale. Made more shibori indigo napkins and small lavendar sachets. Also prepared some wonderful cards and bookmarks using my eco print papers. added some wonderful silk eco print scarves to the inventory.

But now the International Quilt Festival has come and gone and this year I took 3 workshops (not sure if I’m prepared to do that again, driving back and forth each day during the worst traffic times takes its toll!).

Monday I always seem to start with a workshop by Glennis Dolce(Shibori Girl). This year we began with a couple of the basic stitches.

Dolce Basics

I sampled a stitch that I had not used in my work before (the overhand stitch – just above the shell). I like the feathery look. Will try to incorporate in a future project.

There were 2 very interesting things Glennis incorporated into the workshop this year. One was providing us with some very different fabrics to experiment with. The first photo below shows a silk organza which I used for the arashi technique. Due to the nature of organza I didn’t expect it to do well in a vat situation. It surprised me. Because of its stiffness the fabric scrunched very definitively and created extreme white spaces but it also dyed deeply. The second photo below is scrim. Once again I was surprised. Due to the extreme openness of the fabric I would have expected a much lighter effect. These 2 fabrics will be on my to do list for future experimentation.

Dolce  Organza Arashi

Dolce Scrim

The next thing I tried was a vintage linen napkin. The kind with the designs all over them. This one had some flowers in the border so I added a small butterfly. After dipping in the vat, I realized this napkin needed no enhancement. Just dyeing it in the indigo gave it new life. The fabric was amazing; it had been washed so many times it felt like heavy silk.

Dolce Vintage Linen

The second very interesting thing in the workshop was Glennis’s collection of vintage Japanese stencils. I played with several of those and decided that rather than the way I was transferring my patterns to fabric using a stencil would be more efficient and cleaner. I transferred a few designs onto some sample fabric to stitch and also made my own stencil. Have stencil making items on order and look forward to receiving them.

Dolce Stencils

That pretty much wraps up my first workshop (and, of course, I look forward to next year with Glennis). Will be writing about the next two soon.