Japonisme

Another wonderful workshop at the 2016 International Quilt Festival. This one was with Houston’s own Ginny Eckley. What a talented artist she is as well as a great teacher. Our topic was ‘Japonisme’: the Japanese influence on art nouveau. This was my first foray into silk painting and silk screening. These things are way outside my comfort zone. I was, however, determined to give them a try and see what happened and what techniques I could, perhaps, transfer to my current endeavors.

Below is my test piece. The goal was to find out what colors worked, the required saturation and their effect on one another.

Below is my second and final piece. I decided to go for minimalism: color and details. Someone in our workshop had done, for her test piece, a sample using dark grays. I liked the look but wanted the colors even lighter. Because my colors are so muted they were difficult to photograph. The upper left corner is a green gray. The lower left corner is gray. The fabric was then washed with a pale yellow. My butterfly had a little too much ink on it but it turned out okay after I added a few bits of yellow and orange to the body.

IQF 2016 Japonisme 2

Not sure these processes are in my future but, who knows, I may be able to combine techniques in a way I hadn’t considered as yet. And the workshop was worth getting up at 5:30!

Mandala Magic!

International Quilt Festival Houston 2016 is about to begin. The workshops started yesterday and I braved getting up at 5:30 so I could get to my first workshop on time.

Glennis Dolce didn’t disappoint, as usual. We were supplied with 3 packets of folded silk (along with instructions on how to fold our own fabtic). We were also supplied with some dissolving thread and instructed to draw and then sew our designs on each packet of silk. Once that was done, we were given some silk dye (which doesn’t require heat setting) and a couple of pipettes. Thus armed, we began to paint our designs. After the painting was done, we dissolved our stitching and opened up our “masterpieces”.

I am very fond of my “firstborn”. Glynnis only let us use 2 colors for our first piece.

My second piece was a bit overwhelming to me. I had intended for small sections of black but the black dye has a mind of its own.

IQF 2016 Mandala Magic #2

My very favorite was my final sample. I like the colors as well as the resulting shape.

IQF 2016 Manadala Magic #3

Next workshop is in a couple of days. It is with the very wonderful and talented Ginny Eckley. Looking forward to it (even if its another 5:30 morning!)