Getting everything together for the Contemporary Handweavers of Houston Annual Sale. I had so much fun with the felted soap last year so I had to make some more. I also have a couple of kumihimo neckpieces and loomed bracelets to include. But my very favorite things are the eco printed/dyed scarves I have been making all year. Also managed to get some indigo pieces done.
Hope to see some of you there. It’s October 22nd through the 24th at Guild House. Check http://www.weavehouston.org for more details.
As soon as I saw this was available, I treated myself. It was all I expected it to be. There were no ‘little projects’ to be found. There are just some interesting ideas to get me thinking about how I could expand my eco printing and natural dyeing projects.
In the book, Alice includes ideas about collecting found objects. I know there are a lot of books containing that subject but it is good to be reminded periodically. She talks about collecting ‘colors’, how to make natural ink, how to select items for rust printing, weaving and twining with natural materials, combining techniques and more. In addition to all that, it is a pleasure to look at. It is one of the books I don’t store on the bookshelf but keep out to review.
I recommend this book for anyone interested in using natural materials and found items in their textile work.
I have been following several eco print groups on Facebook. There are lots of great ideas, beautiful results and helpful people in all these groups. Every now and again there will be a tip or trick that I feel I can apply to my work. Sometimes they turn out and sometimes they don’t.
The scarves on the left side of each of the above photos are an example of a very interesting tip. After the mordant prepared silk was soaked in vinegar water and covered with foliage, I covered the whole thing with a piece of cloth soaked in ferrous sulphate (iron water) before it was rolled up for processing. Amazing what happened. The scarves on the right were processed as I would normally process eucalyptus leaves to maintain the beautiful color.
I decided to take this idea one step further and try it on a couple of scarves that did not turn out satisfactorily the first time.
Now the sweet gum, eucalyptus, and bamboo really show up. The color is great.
Here the oak leaves provided a great resist.
The results were wonderful. It made me go back through all the scarves I had processed so far to see if any of them could use a little boost.
Enjoying the results from ‘stitched’ resist shibori. Have tried a few ‘shape’ resists and don’t care for them as much. There are so many stitch patterns that can be created in addition to the numerous ones that currently exist. Could be a lifelong undertaking. After sketching out the pattern, the actual stitching is a great evening project